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argosciv ago

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Note before proceeding: I have no reason yet to suspect Timothy Dalton of any wrongdoing. I don't discourage further investigation, but, I trust him at this time.


As best I can determine, Timothy Dalton and Whoopi Goldberg were "romantically involved" between 1990 - 1992:

Curious that nobody has added the following to WG's wiki entry...

I make no claim to the accuracy/credibility of the publications listed below, they are merely provided as the most immediately available references:

In the above, the common understanding is that Dalton and WG dated between 1990 - 1991, however, the 1st article does say that the two dated as late as 1992.


wiki: Timothy Dalton

He was already finished playing Bond, by the time he and WG had their romance; his last Bond film was Licence to Kill (1989).

  • Why then is the "James Bond" section headered with a time frame of (1986 - 1994)? I'll cut to the chase again...

Emphasis my own

After his Bond films, Dalton divided his work between stage, television and films, and diversified the characters he played. This helped him eliminate the 007 typecasting that followed him during the previous period. Dalton was nevertheless for a certain period considered to act in the Bond film GoldenEye. Instead, he played Nazi spy Neville Sinclair in The Rocketeer (1991), and Rhett Butler in Scarlett, the television miniseries sequel to Gone with the Wind. He also appeared as criminal informant Eddie Myers in the acclaimed British TV film Framed (1992).

wiki: The Rocketeer (film)

The Rocketeer is a 1991 American period superhero adventure film from Walt Disney Pictures, produced by Charles Gordon, Lawrence Gordon, and Lloyd Levin, directed by Joe Johnston, that stars Bill Campbell, Jennifer Connelly, Alan Arkin, Timothy Dalton, Paul Sorvino, and Tiny Ron Taylor. The film is based upon the character of the same name created by comic book artist and writer Dave Stevens.

Set in 1938 Los Angeles, California, The Rocketeer tells the story of stunt pilot Cliff Secord who stumbles upon a hidden rocket powered jet pack that he thereafter uses to fly without the need of an aircraft. His heroic deeds soon attract the attention of Howard Hughes and the FBI, who are hunting for the missing jet pack, as well as the Nazi operatives that stole it from Hughes.

SPOILER ALERT:

Plot

~~Sinclair dons the rocket pack and flies off, but the leaked fuel causes the rocket pack to catch on fire, causing Sinclair to plummet to his death near the "HOLLYWOODLAND" sign; the resulting explosion destroys the LAND part of the sign. Lothar is engulfed in flames as the airship explodes, but Cliff and Jenny are rescued at the last moment by Hughes and Peevy flying an autogyro.

Things that make you go "hmmmm..."

wiki: Hollywood Sign

The Hollywood Sign (formerly the Hollywoodland Sign) is an American cultural icon and landmark located in Los Angeles, California. It is situated on Mount Lee, in the Hollywood Hills area of the Santa Monica Mountains. The sign overlooks Hollywood, Los Angeles.~~

History

Origin

The sign was erected in 1923 and originally read "HOLLYWOODLAND." Its purpose was to advertise the name of a new segregated housing development in the hills above the Hollywood district of Los Angeles. H.J. Whitley had already used a sign to advertise his development Whitley Heights, which was located between Highland Avenue and Vine Street. He suggested to his friend Harry Chandler, the owner of the Los Angeles Times newspaper, that the land syndicate in which he was involved make a similar sign to advertise their land.[4] Real estate developers Woodruff and Shoults called their development "Hollywoodland" and advertised it as a "superb environment without excessive cost on the Hollywood side of the hills."[5]

They contracted the Crescent Sign Company to erect thirteen south-facing letters on the hillside. The sign company owner, Thomas Fisk Goff (1890–1984), designed the sign. Each letter was 30 feet (9.1 m) wide and 50 feet (15.2 m) high, and the whole sign was studded with around 4,000 light bulbs. The sign flashed in segments: "HOLLY," "WOOD," and "LAND" lit up individually, and then the whole. Below the Hollywoodland sign was a searchlight to attract more attention. The poles that supported the sign were hauled to the site by mules. Cost of the project was $21,000,[6] equivalent to $301,629 in 2017.

The sign was officially dedicated in 1923. It was intended only to last a year and a half,[7] but after the rise of American cinema in Los Angeles during the Golden Age of Hollywood, the sign became an internationally recognized symbol and was left there.[8]

Deterioration

Over the course of more than half a century, the sign, designed to stand for only 18 months, sustained extensive damage and deterioration.

During the early 1940s, Albert Kothe (the sign's official caretaker) caused an accident that destroyed the letter H. Kothe, driving while inebriated, was nearing the top of Mount Lee when he lost control of his vehicle and drove off the cliff directly behind the H. While Kothe was not injured, his 1928 Ford Model A was destroyed, as was the original 50 foot (15.2 m) tall illuminated letter H.

In 1949, the Hollywood Chamber of Commerce began a contract with the City of Los Angeles Parks Department to repair and rebuild the sign. The contract stipulated that "LAND" be removed to spell "Hollywood" and reflect the district, not the "Hollywoodland" housing development.[9] The Parks Department dictated that all subsequent illumination would be at the Chamber's expense, so the Chamber opted not to replace the lightbulbs. The 1949 effort gave it new life, but the sign's unprotected wood and sheet metal structure continued to deteriorate. By the 1970s, the first O had splintered and broken, resembling a lowercase u, and the third O had fallen down completely, leaving the severely dilapidated sign reading "HuLLYWO.D."[10][11]

Restoration

In 1978, in large part because of the public campaign to restore the landmark by Hugh Hefner, founder of Playboy magazine, the Chamber set out to replace the severely deteriorated sign with a more permanent structure. Nine donors gave US$27,777.77 each (totaling US$249,999.93) to sponsor replacement letters, made of steel supported by steel columns on a concrete foundation (see Donors section below).[12]

wiki: Studio system (Redirected from Golden Age of Hollywood)

I'll skip ahead with some emphasis, to save space.

Sound and the Big Five

The years 1927 and 1928 are generally seen as the beginning of Hollywood's Golden Age and the final major steps in establishing studio system control of the American film business.~~

The last of the "Big Five" Hollywood conglomerates of the Golden Age emerged in 1928: RKO. The Radio Corporation of America (RCA), led by David Sarnoff, was looking for ways to exploit the cinema sound patents, newly trademarked RCA Photophone, owned by its parent company, General Electric.~~


The end of the system and the death of RKO

However, behind the scenes at RKO, long the financially shakiest of the conglomerates, the court ruling came to be looked at as a development that could be used to the studio's advantage. The same month that the decision was handed down, multimillionaire Howard Hughes acquired a controlling interest in the company. As RKO controlled the fewest theaters of any of the Big Five, Hughes decided that starting a divorcement domino effect could actually help put his studio on a more equal footing with his competitors. Hughes signaled his willingness to the federal government to enter into a consent decree obliging the breakup of his movie business. Under the agreement, Hughes would split his studio into two entities, RKO Pictures Corporation and RKO Theatres Corporation, and commit to selling off his stake in one or the other by a certain date. Hughes's decision to concede to divorcement terminally undermined the argument by lawyers for the rest of the Big Five that such breakups were unfeasible.


After the system

Syndication, television, recession, and conglomerate Hollywood

~~Two large independent firms also qualify as mini-majors, Lionsgate and The Weinstein Company. They stand somewhere between latter-day versions of the old "major-minor" - just like Columbia and Universal was in the 1930s and 1940s, except Lionsgate and The W.C. have about half their market share—and leading Golden Age independent production outfits such as Samuel Goldwyn Inc. and the companies of David O. Selznick.

The rest of the "~~conglomerate Hollywood" section is worth reading...

I'll wrap this annex up now, it'll serve well later on.


In This Moment - Big Bad Wolf (Official Video)