The Rainbow flag, the Supreme Headquarters Allied Expeditionary Force (SHAEF) and the Occult (pizzagate)

submitted ago by letsdothis2

This post is relevant to pizagate because of our interest in the rainbow symbolism as it pertains to pedophilia. It also serves as a precursor to another post which will look at the current emerging story involving the deal between Glaxosmithkline and 23andme, and which will connect the dots with Google's Sergey Brin and Jeffrey Epstein.

It was research for the following post which first alerted me to the use of the rainbow as a symbol during the Second World war : Jimmy Savile > the Process Church of the Final Judgement > the House of Rothschild > Alefantis and David Brock's ex boyfriend William Grey > Ed Buck

SHAEF patch origin http://www.usmilitariaforum.com/forums/index.php?/topic/170697-shaef-patch-origin/

They told me the story of the SHAEF [Supreme Headquarters Allied Expeditionary Force] patch that I had heard only inacurately before. General Morgan (the original planner for the invasion) anticipating the arrival of a Supreme Commander, had directed in the autumn of 1943 that a badge be designed, and the comittee which was appointed in turn directed the Royal College of Heralds to produce a sign symbolic of the task ahead. Price said that the design had "some sort of waves, presumably indicating an amphibious operation", and was generally not acceptable, although the "Flaming Sword" was accepted as a base for furthur development. The final design was produced by Colonel Lack, with the artistic help of Corporal D. Q. Goodall, an ATS girl. Price called my attention particularly to the fact that the "Flaming Sword" was modeled on that of the 2nd U.S. Division Memorial (1917-18) in Washington. Ike approved the badge when he assumed command, and in March (1944) it came into general use as the headquarters shoulder patch and vehicle mark. The flaming sword of freedom cuts the black of the Nazi night over Europe and points the way to the final rainbow of peace and liberty. The rainbow is made up of the colors of the Allied nations."

SHAEF patch: https://imgur.com/a/OcNfJ2L

The Psychological Warfare Division SHAEF http://www.lulu.com/shop/shaef/the-psychological-warfare-division/paperback/product-21543813.html

A reprint, for the first time, of the official history of the Psychological Warfare Division of Supreme Headquarters Allied Expeditionary Force. The original book was printed in the American zone of Germany at the end of the Second World War with a small limited circulation. PWD/SHAEF was an Anglo-American organisation tasked with the production and dissemination of aerial propaganda leaflets, radio broadcasting to enemy troops, and the use of tactical mobile loudspeakers to talk German soldiers into surrendering. (13 photographs plus 24 other illustrations)

See www.psywar.org for more information on the history of psychological warfare and military propaganda leaflets.

https://www.psywar.org/

Keep Calm and Back the BBC https://imgur.com/a/uXJ9AKn

As BBC in numerology is 223, Back the 223 becomes 322.. geddit?

Anyway, Lee Richards who wrote a number of books on this period here gives a recent talk on wartime propaganda but oddly but does not mention SHAEF : https://www.psywar.org/content/undergroundPropaganda

wikipedia's version of the history of the rainbow flag https://en.wikipedia.org/wiki/Rainbow_flag_(LGBT_movement)

Originally devised by San Francisco artist Gilbert Baker,

Gilbert Baker, an openly gay activist born in 1951, grew up in Parsons, Kansas

[The BBC carries the same BS history]

Parsons ?

https://en.wikipedia.org/wiki/Gilbert_Baker_(artist)

His father was a judge and his mother was a teacher.[4] Baker served in the United States Army from 1970 to 1972

He also joined the gay drag activist group Sisters of Perpetual Indulgence

Sisters of Perpetual Indulgence - https://en.wikipedia.org/wiki/Sisters_of_Perpetual_Indulgence

The Sisters of Perpetual Indulgence (SPI), also called Order of Perpetual Indulgence (OPI)

or, in other words, the Order of P.I.

I believe that this reference to PI has its roots in freemasonry and the OTO. See: Satanism is now MAINSTREAM - A historical perspective including the Parsons, Hubbard, Agape Lodge and the Temple of Love

In the Degrees of O.T.O., P.I. Means Perfect Initiate, Prince of Jerusalem (Annihilation)

There is very little written about this particular level, but there are connections with the sacrificial dove (which represents the Christ child) and probable connections with the Cake of Light, as referenced in the Book of the Law by Alistair Crowley : https://voat.co/v/pizzagatewhatever/2645898/13377479

Keep in mind that Crowley was involved with Jack Parson's Jet Propulsion Laboratory. (See related pizzagate posts at end of this post)

Parsons and the JPL: https://nsta.jpl.nasa.gov/dep-defense

The Defense Program office is the interface between JPL technical teams and Defense-related organizations such as the US Dept of Defense as well as NATO and other Five-Eyes organizations for Defense Intelligence.

https://en.wikipedia.org/wiki/Supreme_Allied_Commander

Supreme Allied Commander is the title held by the most senior commander within certain multinational military alliances. It originated as a term used by the Allies of World War I during World War I, and is currently used only within NATO. 

During World War II, the Allied leaders appointed Supreme Allied Commanders to manage the multi-nation, multi-discipline fighting forces for a particular theatre of war. These Supreme Allied Commanders were given operational control over all air, land, and sea units in that theatre. In other cases, senior commanders were given the title Commander-in-Chief.

These Supreme Allied Commanders were drawn from the most senior leaders in the British Armed Forces and United States Armed Forces. These commanders reported to the British/American Combined Chiefs of Staff, although in the case of the Pacific and South East Asia, the relevant national command authorities of the American Joint Chiefs of Staff or the British Chiefs of Staff Committee had responsibility for the main conduct of the war in the theatre, depending on the Supreme Commander's nationality.

General of the Army Dwight D. Eisenhower served in successive Supreme Allied Commander roles. Eisenhower was the Commander-in-Chief, Allied Force for the Mediterranean theatre. Eisenhower then served as Supreme Commander Allied Expeditionary Force (SCAEF) in the European theatre, starting in December 1943 with the creation of the command to execute Operation Overlord and ending in July 1945 shortly after the End of World War II in Europe. In 1951, Eisenhower would again be a Supreme Allied Commander, the first to hold the post for NATO (see next section).

Eisenhower then served as Supreme Commander Allied Expeditionary Force (SCAEF) in the European theatre

That would be SHAEF.

Related:

The Parsons Green bomb, a satanic spectacle related to Coram Adoption and vulnerable Christian children

Aleister Crowley's OTO, Thelema sex magick rituals - another reason for child sex trafficking

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letsdothis2 ago

The mystery of Alfred Hitchcock's lost Holocaust exposé | The Times

For 70 years it has been one of the great mysteries of British cinema. What truth is there to the claim that, at the end of the Second World War, Alfred Hitchcock directed a never-seen documentary about the German concentration camps? Was the film suppressed by the British government because it was too horrifying and politically incendiary?

Over the years this elusive film — often referred to as “the lost Hitchcock” — has acquired a mythological status. A tantalising newspaper story in 1984 was headlined “The Horror Film That Hitchcock Couldn’t Bear to Watch” after it was mentioned in a biography of Sidney Bernstein. Lord Bernstein, who later set up Granada TV, was a leading British producer who had been head of the film section for the…

Unfortunately Keller did not realize that many images taken by PK 689 in Warsaw were published in the Berliner Illustrirte Zeitung in July 1941.22 A correlation of published and unpublished photographs would have revealed how easily any image could be propagandized through appropriately slanted captions and texts. Despite this failure to check the contemporary illustrated Nazi press, Keller's volume is an important study and perhaps an indispensable supplement to volumes without illustrations, such as Yisrael Gutman's The Jews of Warsaw, 1939-43,23 and it is an important addition to any Holocaust library collection.

A SHAEF project.

The Warsaw Ghetto in Photographs - http://motlc.wiesenthal.com/site/pp.asp?c=gvKVLcMVIuG&b=395055

Two images have come to symbolize the complex series of events now known as the Holocaust: the first shows a child with his hands raised in surrender in the Warsaw ghetto; the second shows a British bulldozer burying skeletons in mass graves at Bergen-Belsen. Both images were part of the official administrative record of the perpetrators and the liberators; the first, of German provenance, was the twelfth of 53 photos appended to the official report about the liquidation of the Warsaw ghetto in the spring of 1943; the second was produced by British camera crews after the liberation of Bergen-Belsen.1

  1. The Stroop Report: The Jewish Quarter of Warsaw Is No More, trans. and annotated by Sybil Milton (New York, 1979), photo 12 in unpaginated photo section; and "Out of the archives: the horror film that Hitchcock couldn't bear to watch," The Sunday Times (London), 19 Feb. 1984, p. 5.

https://voat.co/v/pizzagate/2643401/13369160

Sidney Bernstein, Chief of the Film Section at the Supreme Headquarters Allied Expeditionary Force (SHAEF)

Sidney Lewis Bernstein, Baron Bernstein (30 January 1899 – 5 February 1993) was a British businessman and media executive who was the founding chairman of the London-based Granada Group and the founder of the Manchester-based Granada Television in 1954. Granada was one of the original four ITA franchisees. He believed the North's media industry had potential to be cultivated.

Bernstein was a co-founder of the London Film Society[5] in 1925, where he met and befriended the young Alfred Hitchcock, who became a lifelong friend and, briefly, a producing partner. He was the first to bring October: Ten Days That Shook the World and other works from the Russian filmmaker Eisenstein, as well as the films of Pudovkin, to London, and sponsored Eisenstein's trip to Hollywood in the early 1930s.