Evidence Linking Several Los Angeles Record Labels, Venues and MILEY CYRUS to massive Sex Abuse 'Pizza' Cult directly connected to Comet Ping Pong (pizzagate)

submitted ago by swordfish69

Summary

Evidence proves that Los Angeles-based musicians and record labels at heart of pedophile 'pizza' cult, and have been promoting it in videos, songs and events for years. Further proof indicates several musicians who passed through Comet Ping Pong are at the heart of the ring.

For Reference

Introduction

Since early November of this past year, few topics have been so inflammatory as allegations that a nightclub in Washington DC has been a haven for pedophilia and human trafficking. The claims, which seem outlandish at first, gained credibility when Instagram photos of the owner and his entourage seemed to promote sex and child abuse.

The larger topic of intrigue that online sleuths have thus far failed to crack is the whole ‘pizza-is-code’ debate regarding Comet Ping Pong. Detractors have criticized sleuths for calling it code, while those who continue to believe the veracity of Pizzagate see it as a byword for everything from pedophilia to serialized ritual abuse.

After extended research, I can safely prove that occult rituals and 'pizza' are not only related to the Los Angeles music industry, but more importantly, to an endless thread of musicians tied to underground music scenes in Los Angeles, Austin, Washington DC and New York City.

Several Los Angeles Record Labels and Venues hiding massive Luciferian ‘Pizza’ Cult directly connected to Comet Ping Pong

Since the untimely death of Chris Cornell, there has been speculation that his death was not in fact a suicide, but rather a premeditated murder to prevent Cornell from speaking out against a massive child sex abuse ring. I’m not here to argue about Cornell’s motives, if any, but whether Cornell may have known about a child sex abuse ring existing in the music industry. Interestingly, I didn’t have to look far to find a connection between Cornell and Pizzagate itself, as an artist on his former record label, Sub Pop Records, appeared to be promoting satanic pizza-related activity in one of his music Videos.

Sub Pop Records Lead #1 - Father John Misty

The first thing that drew my attention to Sub Pop Records was a strangely familiar music video by Father John Misty, former drummer for the Fleet Foxes and picaresque rock star. “This is Sally Hatchett” (https://vimeo.com/41879035)) is set inside Purgatory Pizza (https://c1.staticflickr.com/6/5042/5191422055_8311306ed6_b.jpg)), a small venue located near Downtown Los Angeles (https://imgtc.com/a/YT3NjNE)). The video makes a deliberate association between satanism, pizza and the simulation of a backroom execution, something that was suspected to be occurring at Comet. But evidence suggests that the restaurant is, along with Comet Ping Pong, closely associated with the same record labels and musicians.

The alliterative name struck me as odd, but not as odd as the trail of evidence that this conspicuous establishment would reveal. The theme of the restaurant has gnostic undertones--Purgatory is likely a reference to Dante’s Purgatorio, the second part of Dante Alighieri’s Divine Comedy, and is based on having to travel down through the underworld and through purgatory to get to paradise. In a recent post I made on Voat (https://voat.co/v/pizzagate/1987887)), I explained that Comet Ping Pong was closely involved with the worship of Antinous, based on the profile picture of Comet owner James Alefantis (https://i.imgtc.com/e92dAHfiap.png)).

The cult of Antinous were the originators of the strange practice of Spirit Cooking revived by Aleister Crowley and popularized, most recently, by the controversial Marina Abramovic. The deeper meaning of their practices is tangential to the seedier prospect of it concealing a child sex ring; what is important is that they worshipped Antinous, an underage boy regarded by the Roman elite as a figure of erotic beauty and pederasty, and continue to use him as a symbol.

More on Father John Misty

Album Art - Notice Child being mauled - http://blogs.uww.edu/wsuw/files/2015/02/2182.jpg More Album Art - http://dis.resized.images.s3.amazonaws.com/940x535/88217.jpeg “Funtimes in Babylon" - References Lucifer - https://www.youtube.com/watch?v=2bvCnyMpXUI “Until the devil made me run” - https://www.youtube.com/watch?v=iS84BMFszW0 “Satanic Christmas Eve” - https://www.youtube.com/watch?v=A6NuYJ0RzRg

There’s something about Purgatory

It turns out that Purgatory Pizza has been serving as a ‘haven’ for bands for years, including known names like FIDLAR and The Black Lips. From LA Weekly (http://www.laweekly.com/content/printView/2407030))

In fact, just about everyone who works at Purgatory is in a band. The shop takes a liberal approach to hiring, and musicians can work there in between gigs. It feels vehemently anti-cooperate, and employees are paid in cash. If they have to take two weeks off to go on tour, no problem..."Purgatory feeds all of us, literally and figuratively," says Zac Carper, lead singer of another Purgatory band, FIDLAR. They're garage-punkers who often open for Bleached, and just played with The Black Lips. "They have no problem with last minute days off. Everyone is good friends."

Blundertown

Meatbodies - Band who performed at Comet in Casual pedophilia promotion - https://imgtc.com/i/OEUo5Mq.jpg

Closely associated with Purgatory Pizza are several recording artists who are signed by two record labels: In The Red Records and Burger Records, both based in California. Simply put, many artists from both of these labels have toured the United States and many have ended up at Comet Ping Pong, per concert posters provided by Sasha Lord Presents.

There are also several promotional companies (Blundertown, Cultist) that run late-night parties at well-known LA venues such as The Cha Cha Lounge and the Echoplex. Many of the artists here (who use Satanic Pizza/Pedophil symbolism) have also performed at Comet Ping Pong. Now this is where you need to look closely, because the events below stem directly from artists involved in Purgatory Pizza.

Extremely Explicit Suggestion of Pedophilia - https://imgtc.com/a/yLv5XGj Satanic Pizza - https://i.imgtc.com/v9bpgiYkjz.jpg Meatbodies at Comet - https://i.imgtc.com/Tj8jyAXxfM.jpeg Creative Adult Afterparty - https://i.imgtc.com/xwCVxe9Op5.jpg Ex-Cult - https://i.imgtc.com/61jMQcjwQI.jpg Blundertown in Austin - https://i.imgtc.com/ivr6ZmuBEM.jpg FIDLAR - https://i.imgtc.com/hNvjLvvgHd.jpg

The Sub Pop Lead #2: The Flaming Lips and Miley Cyrus

Miley Cyrus’s phase as a pop music libertine appears to have come to an end, but her relationship with the Flaming Lips’ Wayne Coyne (On Chris Cornell’s former label, Sub Pop Records), should raise a lot of questions. While she partied a lot and wore a lot of absurd clothing, her promotion of pizza with alien symbolism at her birthday got me suspicious.

Pizza Costume - https://i.imgtc.com/dvm5xUwRcg.jpg Pizza Cake - https://i.imgtc.com/82FQN9MFy1.png Pizza Slut - https://i.imgtc.com/obHsJ1RRop.jpg Express Yourself - https://i.imgtc.com/IvYsZPyNtg.png

I didn’t think much of it until I stumbled upon photos of her stage technician, who was quite literally using ‘pizza’ in a very familiar way.

With Jack Black and Pizza - https://i.imgtc.com/kNo25Nn6X5.png Pizza on lady tattoo - https://i.imgtc.com/aa3cRmJFU5.png Miley and Pizza - https://i.imgtc.com/WgNBUNbwUK.png

And then I saw this photo, and a comment that indicates that Miley Cyrus’ use of pizza imagery was directly related to actual occult ritual involving children, and several suggestions that it was in fact a form of child abuse.

BRING YOUR DOGS AND CATS - codeword for young boys and girls - https://i.imgtc.com/Gi8yKMhCGx.png Miley and Coyne promoting logo of the album - http://www.billboard.com/files/styles/article_main_image/public/media/miley-cyrus-wayne-coyne-dog-tattoo-2014-billboard-650.jpg

(And if you want to ‘debunk’ this, just ask: who would bring their cat anywhere?)

More interesting photos

Pizza and Eggs - https://i.imgtc.com/ccbLjZEAcJ.png Hear no Evil, Speak no Evil, See no Evil - https://i.imgtc.com/p2Exh3JoAr.png Damien Hirst painting - https://i.imgtc.com/GpyUvWYTkO.png

Burger Records

When Macauley Culkin released his Pizza Underground album, a band called “Personal & The Pizzas” threatened to “kill them” then “sue them” in a tongue-in-cheek post. But a closer look at their album art reveals a familiar, uncanny pattern of including children along with pizza symbolism.

Spiral - https://i.imgtc.com/At2FAgZEWf.jpg Another Spiral - https://i.imgtc.com/oZoMExtc9M.jpg Strange Comic Book - https://i.imgtc.com/1Xg9OjHC9J.jpg Personal and the Pizzas https://soundcloud.com/personalandthepizzas/pepperoni-eyes

A closer look at their album art reveals a familiar, uncanny pattern of including children along with pizza symbolism.

“Raw Pie” album Cover includes abused child - https://i.imgtc.com/aF7mcfFrVu.jpg Major Red Flag - Eye of Horus, Dog - https://i.imgtc.com/fME2CtxRuK.jpg With Redd Kross - https://i.imgtc.com/iWjUYKiDq6.jpg Slovenly, in Reno - https://i.imgtc.com/33uGZkvwcy.jpg Execution and Pizza - https://i.imgtc.com/OZ3bjj3WJ5.jpg Diet, Crime and Delinquency - https://i.imgtc.com/lbutDaSoS5.jpg Performing with other artists who performed at Comet - https://i.imgtc.com/6sPl4tQwnf.jpg

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1928375 ago

As much as I support the exposition of pedophilia, corruption, and the like, some of this is quite dubious even as circumstantial evidence. I also disagree with some of the conclusions and connections you've made, as well as the significances attached to certain materials.

First, Father John Misty. The way you've presented the allusions and symbolism in his work suggest congenital ties between whatever forces we're describing here and himself. As far as I can tell he's the last person in the music industry as far as big names go that would be privy to this sort of thing. Both from his music and public statements as well as the material presented here. In the Sally Hatchett music video he is never more than seemingly unwittingly followingly along with the actions of the woman, who functions as the primary driving force of the narrative, and thus the antagonist given the context of the film. One would expect given the unwillingness and extreme sorrow expressed, in contrast to the calm and cool demeanor of the woman, to be a sign of his horror at the situation. In addition, if you notice the child being mauled in the album art you've linked, the child is actually being mauled by a dog on the very left edge, ie. left to the dogs, we've failed our children; anti-pedophiliac. This is to say, if these are indeed references to the pizzagate topics in totale, they are not endorsements but expressions. I don't see anything here that paints a clear connection to the actual act as there seems to be with a lot of the other related characters in this story, except for maybe the music video. But even then, it feels like an "I was forced into this situation and hate that I have been" at worst, if not just a veiled illusion to what he sees in the industry.

Which brings me to Purgatory Pizza, the huge list of bands, and the related materials linked in the comments. While a lot of what you linked seems to be relevant peripherally, I think it's a little far to say that everyone with this pizza or spiral imagery is into this thing. I think that if what we speak of here is as rampant as you and I believe it is, then of course there's going to be references and mentions to it everywhere. But that doesn't mean that everyone using that imagery, knowing or unknowingly, is doing so again, for promotion. We have to think bigger here, realize that context is everything, and remember that this is pop culture we're dealing with. There are going to be allusions out the ass that are going to need to be vetted to a high degree to determine their significance and intention of use. The Desert Daze connection you've made is laughable to me. The poster with the man dressed like a priest with a boy sucking him off and then poster with a girl with "I love cock" shirt? Yes, fucked up and IMO relevant and indicative at the very least of consentiality to pedophilia. The Black Lips spirit cooking stuff and association to Kenneth Anger, possibly damning. The point is, a multi-dimensional approach is required in the process of research, determination of context, and determination of intent. First for the sake of truth, second for the ease of disclosure to the "public".

I admire your work but feel you need to use more discernment in your association of people, places, and groups with those that would actually take part in this willingly. Keep up the research.