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Summary
The piece in the Washington Post, as well as NWMA's direct link to both Tony Podesta and Marina Abramovic, suggest that Anna Gaskell is likely striking back at several accusations that artists link Marina Abramovic, Jeff Koons, Damien Hirst and herself are part of an extended human trafficking network with links to the Rockefellers and Rothschilds.
But amazingly, a Vanity Fair narrative profile detailing the spontaneous suicide of two artists who, in their own right, had a lengthy background with the occult, includes the strange accusation that Anna Gaskell is a member of the CIA and is closely tied to MK Ultra. This comes from her ex-boyfriend, who died in mysterious circumstances off the coast of Queens in 2011, but a closer look at the evidence reveals it is likely true.
Body
A narrative piece called "The Golden Suicides" details the life of Jeremy Blake and Teresa Duncan, two rising stars of the art world who studied at Washington D.C.'s Corcoran School of Art. The school, part of George Washington University, actually once employed Francis Luzzatto, who worked there before he joined AID programs for the State Dept (aka CIA-related activities).
https://www.washingtonpost.com/archive/local/1999/10/22/aid-official-francis-a-luzzatto-dies/617956d2-3cd2-4d4f-9172-640a257b9aa8/
Theresa Duncan and her lover Blake were stars of the art world who rose to stardom in the NY art world.
"The lovely Theresa” was Theresa Duncan, a writer, filmmaker, computer-game creator, and Blake’s girlfriend of 12 years. He had found her lifeless body on July 10, in the rectory of St. Mark’s Church in Manhattan’s East Village, where the couple had been renting an apartment. There was a bowl full of Benadryl pills, a bottle of Tylenol PM, and a champagne glass on the nightstand. There was a note saying, “I love all of you.” Duncan was 40.
Theresa Duncan was involved in the New York Art Scene with her boyfriend, who was somewhat of a minor celebrity, to the point where he mingled with the New York art elite.
There had been reports they had become “paranoid,” obsessed with conspiracy theories, believing they were being harassed by Scientologists. The Internet filled up with conjecture about government plots and murder. Something about their story seemed to capture the modern imagination, if only because no one knew exactly why two such accomplished and attractive people had chosen to make their exit.
But what's weirder, is that Anna Gaskell herself seems to be at the center of the accusations, and in a blog post on her website, Duncan herself accused the Gaskell family of gangstalking them and of her guardian of being a CIA handler Jim Cownie. They were both also knee-deep in Pedogate, as evidenced by this post, and were well aware of the Johnny Gosch-Boystown saga that was part of the Franklin Scandal.
To add the final dessert topping to this apocalyptic art world sundae, Mr. Wit says that normally dour Cownie frequently made jokes about child molestation as a "training" tool. This wouldn't be so fucking spooky, friends of the Staircase, if Des Moines wasn't the land of the Project Monarch/U.S. Intelligence rumored disappearance of Johnny Gosch and the odd resemblance of poor little Johnny to Bush White House gay hooker-psychological operative Jeff Gannon.
She is also mentioned in the article as warming up to Jerry Saltz, art critic closely tied to NYC and who, unbelievably, has posted 'artistic' depictions of child abuse on his Instagram.
But it goes so much deeper. Duncan and Blake were actually part of the punk scene in 90s-era DC and were friends with many musicianss that are now regulars at Comet Ping Pong, such as Ian Svevonius, author of such songs as "Every Baby Cries The Same". He is acquainted with James Alefantis and this suggests that they may have crossed paths in the insular D.C. art world.
Jeremy Blake and Theresa Duncan first met in 1994. They were both part of the activist, “positive force” punk-rock scene in Washington (think Fugazi, Bikini Kill). He hung around with the band Nation of Ulysses (Svenonius' band), believed in punk as a philosophy.
The connections don't end there. Jeremy Blake also accused popular commentator Reza Aslan of talking to him about his FBI records and of having heretofore inaccessible info on him.
Also during this time, someone named Reza Aslan, a Muslim "scholar" and friend of a friend who attended school in Iowa came to my house in Venice, CA and freely chatted about an FBI file of mine he seemed vividly aware of, even though at that time I myself did not know such a file existed. A consequent FOIA filing revealed his "magic" knowledge of these documents to be true.
Duncan 'committed suicide' after meeting with producers and George Pelecanos in a unidentified DC restaurant. She was found dead of a alcohol-tylenol overdose the following morning, and Jeremy Blake went ballistic. But before Blake committed suicide a week, a number of people, including some connected to Comet Ping Pong like Ian Svenonius, watched over him and monitored him.
His psychiatrist friend felt that Blake was at great risk for suicide. A group was instantly organized to keep watch over him round the clock: Mike Fellows, Ian Svenonius, Guy Picciotto—all old buddies from the punk scene in Washington—Morales, and a few others.
But what's weird is that he died on the South shore of Long Island in Queens, where, only a couple miles down the shore, many of the members of Comet Ping Pong were likely partying at the Kaballah-influenced "Fire Island Festival", including Alefantis himself (The 2011 Festival happened on the same day as his death). Given that Svenonius, Boutlier and other Comet regulars were there, there's a chance that Blake was actually invited out there and met with them shortly before his death.
Conclusion
This story, as well as the artist blog they wrote together, indicates that the NYC/DC Art World is closely tied to the CIA and amazingly, Comet Ping Pong too. They were tying Gaskell and others to the CIA and the NYPD should reopen this case to determine if the couple were actually threatened by cult members shortly before their death.
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