Rock was also created by kikes. Elvis, renowned king of rock and roll, was only chosen because he could perform popular blues songs of the day in the black style that was being marketed to white teens at that time. Big band music was the last vestige of true white culture.
"Big band" is actually the kiked version of Jazz. Let me explain...
Jazz is America's first true art form and it is largely a black machination. Big Band jazz is actually a Jewish creation.
In the 1920's, ball rooms, major night clubs, theaters, record companies, radio stations, and movie studios had their own bands. Even major hobby and sporting clubs had house bands, and professional orchestras were formed to provide live music for all sorts of occasions/events (this was a time before amplifiers, loudspeakers, DJ's, etc. If you wanted music for an event, it had to be live). For example, major ball rooms, clubs, and theaters had house bands to cover whatever entertainment needs/stage productions they could ever have. RCA, Victor, Columbia, Decca, and some other major record labels had their own house bands for producing music records. ABC, CBS, NBC all had their own bands for radio productions. RKO Radio Pictures, MGM, and Warner Bros. had their own bands for producing movie soundtracks. Some of these bands became quite popular nationally and contributed to the evolution of the art style and different regions developed their own styles over time.
The thing is, being part of the mainstream mass media, these bands were all owned and controlled by, yeah, you guessed it: (((Jews))). (((Jean Goldkette))), for example, led the all-white and Jewish Victor Recording Orchestra in the 1920's which became very popular. These Jews like (((Goldkette))) set up businesses and agencies which fielded bands around the country, which they also led, for events, concert tours, and record deals. Since these Jews were already immeshed in the mass media industry from a business standpoint, they are kind of responsible for creating the "music industry" as it came to be known, but that's another story.
Big band jazz is not actually a subgenre of jazz music, but describes the type of band playing it. The actual name of the jazz subgenre they became popular playing is called swing, which began to emerge in the early 1930's. Big bands originally played different genres of music for different purposes/audiences, not just jazz, but as swing music grew in popularity, "big band" became synonymous with "swing" and is used interchangeably, although incorrectly (and I'll get to why later). A "big band" jazz ensemble is a band with 10 or more musicians divided into 4 or more sections.
Many white American musicians and European musical influences, and even some (((Jews))), contributed to the development of swing. Swing is the name of the jazz subgenre because it describes the characteristic syncopated "swing rhythm" of the music which is really an African American machination. Blues and syncopated swing rhythm are straight up African in origin.
Big band actually came to refer to a popular style of swing, "pop" swing--think of it as the bubblegum top 40 pop music of the jazz world. These bands were led by Jews and usually comprised of all white and Jewish musicians. These bands, since they were owned and led by Jewish bandleaders received special treatment from their zionist media overlords and got more airplay on the radio, more features, more performances, and appearances in film reels and movies, they got more record deals, and were promoted more to the masses than their black and mixed-race big band jazz counter parts. When most people/normies think of "big band," they're thinking of (((Benny Goodman))), which is a bland, soulless, less complex form of big band swing, which is essentially produced to be pop music to sell records and theater tickets. I don't consider it the highest expression of the swing subgenre.
Big band swing began to fall out of style in the mid 1940's as WWII ended and people's tastes began to change. Swing evolved into bebop, which is far too organic, energetic, expressive, and soulful to be scientifically formulated by Jewish music producers for mass consumption. But the Jews never lost their stranglehold on the music industry. Jazz just ceased being their big money maker. It's hard to subliminally program and subvert society through such a high art form like jazz. That's why I like jazz even though it produced by 90% black people. It's a form of music untouched by cultural marxism, yet it still brings different races and cultures together peacefully.
Do you have any 'gateway(?)' bebop or hard-bop recommendations. I couldn't grasp it the last few times I listened, because it wasn't predictable enough for me. I know, that's a shortcoming of mine, and not a comment on the music.
Pop and all its hyphenates make me want to punch things.
Most of my listening is usually blues, trip-hop/downtempo, and Classical-romantic with a sprinkling of glitch and industrial.
Do you have Spotify? I have an ever expanding playlist of jazz music specifically made to be more accessible. Shorter compositions, clearer recordings, nothing too experimental or noisy. Lots of styles: blues, bebop, hard bop, post-pop, bossa nova, cool, dixie, hot, funk, Kansas City swing, Latin, mambo, New Orleans, samba, salsa, swing.
Nah, I'm not on spotify, but do appreciate the Art Blakey links. And the New Orleans reminder. I'd say many of the Crescent City pianists were the greatest ever. Total degenerates in many cases, but amazingly talented.
view the rest of the comments →
SmokeyMeadow ago
Rock was also created by kikes. Elvis, renowned king of rock and roll, was only chosen because he could perform popular blues songs of the day in the black style that was being marketed to white teens at that time. Big band music was the last vestige of true white culture.
Granite_Pill ago
"Big band" is actually the kiked version of Jazz. Let me explain...
Jazz is America's first true art form and it is largely a black machination. Big Band jazz is actually a Jewish creation.
In the 1920's, ball rooms, major night clubs, theaters, record companies, radio stations, and movie studios had their own bands. Even major hobby and sporting clubs had house bands, and professional orchestras were formed to provide live music for all sorts of occasions/events (this was a time before amplifiers, loudspeakers, DJ's, etc. If you wanted music for an event, it had to be live). For example, major ball rooms, clubs, and theaters had house bands to cover whatever entertainment needs/stage productions they could ever have. RCA, Victor, Columbia, Decca, and some other major record labels had their own house bands for producing music records. ABC, CBS, NBC all had their own bands for radio productions. RKO Radio Pictures, MGM, and Warner Bros. had their own bands for producing movie soundtracks. Some of these bands became quite popular nationally and contributed to the evolution of the art style and different regions developed their own styles over time.
The thing is, being part of the mainstream mass media, these bands were all owned and controlled by, yeah, you guessed it: (((Jews))). (((Jean Goldkette))), for example, led the all-white and Jewish Victor Recording Orchestra in the 1920's which became very popular. These Jews like (((Goldkette))) set up businesses and agencies which fielded bands around the country, which they also led, for events, concert tours, and record deals. Since these Jews were already immeshed in the mass media industry from a business standpoint, they are kind of responsible for creating the "music industry" as it came to be known, but that's another story.
Big band jazz is not actually a subgenre of jazz music, but describes the type of band playing it. The actual name of the jazz subgenre they became popular playing is called swing, which began to emerge in the early 1930's. Big bands originally played different genres of music for different purposes/audiences, not just jazz, but as swing music grew in popularity, "big band" became synonymous with "swing" and is used interchangeably, although incorrectly (and I'll get to why later). A "big band" jazz ensemble is a band with 10 or more musicians divided into 4 or more sections.
Many white American musicians and European musical influences, and even some (((Jews))), contributed to the development of swing. Swing is the name of the jazz subgenre because it describes the characteristic syncopated "swing rhythm" of the music which is really an African American machination. Blues and syncopated swing rhythm are straight up African in origin.
Big band actually came to refer to a popular style of swing, "pop" swing--think of it as the bubblegum top 40 pop music of the jazz world. These bands were led by Jews and usually comprised of all white and Jewish musicians. These bands, since they were owned and led by Jewish bandleaders received special treatment from their zionist media overlords and got more airplay on the radio, more features, more performances, and appearances in film reels and movies, they got more record deals, and were promoted more to the masses than their black and mixed-race big band jazz counter parts. When most people/normies think of "big band," they're thinking of (((Benny Goodman))), which is a bland, soulless, less complex form of big band swing, which is essentially produced to be pop music to sell records and theater tickets. I don't consider it the highest expression of the swing subgenre.
Big band swing began to fall out of style in the mid 1940's as WWII ended and people's tastes began to change. Swing evolved into bebop, which is far too organic, energetic, expressive, and soulful to be scientifically formulated by Jewish music producers for mass consumption. But the Jews never lost their stranglehold on the music industry. Jazz just ceased being their big money maker. It's hard to subliminally program and subvert society through such a high art form like jazz. That's why I like jazz even though it produced by 90% black people. It's a form of music untouched by cultural marxism, yet it still brings different races and cultures together peacefully.
Luis_Sphincta ago
Do you have any 'gateway(?)' bebop or hard-bop recommendations. I couldn't grasp it the last few times I listened, because it wasn't predictable enough for me. I know, that's a shortcoming of mine, and not a comment on the music.
Pop and all its hyphenates make me want to punch things.
Most of my listening is usually blues, trip-hop/downtempo, and Classical-romantic with a sprinkling of glitch and industrial.
Granite_Pill ago
Do you have Spotify? I have an ever expanding playlist of jazz music specifically made to be more accessible. Shorter compositions, clearer recordings, nothing too experimental or noisy. Lots of styles: blues, bebop, hard bop, post-pop, bossa nova, cool, dixie, hot, funk, Kansas City swing, Latin, mambo, New Orleans, samba, salsa, swing.
Hardbop: Art Blakey and the Jazz Messengers
https://youtu.be/Cv9NSR-2DwM
https://youtu.be/uKOoxgI_xfQ
https://youtu.be/ADWODreyby0
https://youtu.be/Yg5n045lvWM
https://youtu.be/e5RDNt52Dz8
Luis_Sphincta ago
Nah, I'm not on spotify, but do appreciate the Art Blakey links. And the New Orleans reminder. I'd say many of the Crescent City pianists were the greatest ever. Total degenerates in many cases, but amazingly talented.