I will create the cliff notes for you. What I meant was if someone didn't want to sit through the entire video series I would summarize and give away the ending ;)

I didn't hear back from anyone so I didn't put it together.

I'll have to get back to you, hopefully late tonight or tomorrow I estimate. The other option is if you watch the videos.

Thanks!

She claims to be a descendant of Judah Loew ben Bezalel, referred to as Maharal

Meir ben Eleazar Perels (1666-1739) came from 'the' famous dynasty of kabbalists. (who knew?)  His kids were descendants of Maharal, although he himself was not, despite his claims to be. He was a  the sworn scribe of the Jewish Community as well as of the Burial Brotherhood, a rabbinical judge and writer, is considered as the guardian of Maharal’s family tradition. Meir’s father was the ‘Divine kabbalist...

http://www.academia.edu/17803222/Judah_Loew_ben_Bezalel_called_Maharal._A_Study_on_His_Genealogy_and_Biography

Consider the Golem legends: http://www.untitledtheater.com/Golem%20Facts.htm

Golem originally meant, depending on the source, “embryo” or “imperfect matter,” though now it is a Hebrew and Yiddish slang term for a thick-skulled person.  Stories of a creature of clay by that name appear as early as the twelfth century.  In the Sefer Gezirah, published at that time in Worms, it states that in a magic ritual, gestures are as important as numbers (or letters) in its creation.  In the sixteenth century, an early golem was credited to Rabbi Elijah Ball Shem of Chelm.

The modern stories of the golem are many.  In almost all of them, the golem is summoned in response to Christian attacks precipitated by the blood libel, the once commonly held belief that the blood of Christian children was a main ingredient of matzah.  In almost all of them, the golem goes out of control and the Maharal must turn him back into clay.  A number of smaller stories have also cropped up along with the main legend.  

In some legends, the golem is animated by something written on his forehead, in some a paper placed under his tongue, and in some an amulet.  The fact that the Golem is named Joseph and the idea that it is half demon also commonly occurs within the legends.  The golem belongs to a small sub-genre of Jewish legends of demons and other mystical apparitions such as dybbuks, dead lovers whose souls inhabit the bodies of the women they once loved.

Perhaps the most famous adaptations of the golem legend are the play by Yiddish playwright H. Levick; the German expressionist silent film written and directed by Henrik Galeen and Paul Wegener; the book by Isaac Bashevis Singer; and Michael Chambon’s recent incorporation of the legend into his book Kavalier and Clay.  Of course, many similar creatures to the golem, perhaps inspired by the Jewish legend, have popped up in literature, ranging from Frankenstein to The Incredible Hulk (originally, the Hulk’s skin was gray, like clay, rather than the later green coloring)