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ASolo ago

PROOF the exact same TEMPLATE is being used on the US:

"Basically, the Chabad Lubavitch Movement is connected with ... the God Baal..

Chabad Lubavitch is the MYSTICAL, ESOTERIC and SECRET SOCIETY of Judaism that is 'The Synagogue of Satan' that 'Yeheshua' or 'Jesus' told of that was the Sanhedrin and Pharisees, those 'Jews that call themselves Jews but are not' that Jesus warned were carrying on the Babylonian worship of pagan gods, necromancy, magick and blood-letting. They are an eastern european cult that has hidden within judaism and have used flocks of their own believers as scapegoats time and time again throughout history. This is not an antisemitic thing this is a reality everyone is going to have to face once again when the U.S. and the world start demonizing ALL Jews because of the actions of a few USURPERS within the religion.

THE SEXUAL DECADENCE OF WEIMAR GERMANY

We've seen this kind of immoral conditioning before:

No account of the Jewish Question in Germany can be complete without some mention of the tidal wave of sexual immorality that was to engulf the country during the period of the Weimar Republic (1919-1933) following World War One. This also happened to be the apogee of Jewish power in Germany. Every single sphere of major influence had now fallen under Chabad Lubavitcher control.

  1. THE CULTURAL TAKEOVER OF GERMANY BY THE Chabad Lubavitcher

Dr Karl Wiehe, in his Germany and the Chabad Lubavitcher Question, is painstaking in the details he provides:

Well before 1933 the Jews had taken possession of the film industry even more thoroughly than of the theater. That was understandable, because the earnings in the film industry overshadow the earnings of any other artistic activity….

The biggest step in the direction of the decline of the German cultural life [however] was taken in the field of the light entertainment genre. Here—in the genre of musical comedy and above all in revue and burlesque—frivolity and lasciviousness were to rear their ugly heads. So much so that during these years Berlin was quite correctly considered the most immoral city in the world.

It was Chabad Lubavitcher who introduced this pornographic “art form” to Germany, a debased genre completely unknown before the Great War, and so it is the Jews who can be held responsible for the general decline in morals.

The Chabad Lubavitcher sexologists Ivan Bloch and Magnus Hirschfeld became the representatives of “sex research” camouflaged as science—a bogus science that was merely an excuse for pornography and propaganda designed to destroy the institute of marriage and the sanctity of the family. [2]

Wiehe provides the following useful facts and statistics:

In 1931, over 60 percent of German films were produced by Chabad Lubavitcher Jews and 82 percent of the film scripts were written by Chabad Lubavitcher writers, though Jews made up less than 1 percent of the German population (0.9o%). A quick look at the names of directors, producers, stage managers, actors, script writers and critics, “revealed everywhere an overwhelming preponderance of Jews.”

A cursory survey of the film titles, Wiehe tells us, shows us that the Chabad Lubavitcher had only one thing on the brain: sex. Here are some typical titles: “Moral und Sinnlichkeit” (Morals and Sensuality); “Was kostet Liebe?” (What is the Price of Love); “Wenn ein Weib den Weg verliert” (When a Woman loses her Way); “Prostitution” (Prostitution); “Sündige Mutter” (Sinful Mama); “Das Buch des Lasters” (The Book of Vices).

“The sensational titles correspond to the sleazy contents,” Wiehe complains. “All wallow in filth and display with cynical frankness the vilest scenes of sexual perversion.” [3]

Light entertainment (revue/burlesque) was a Chabad Lubavitcher innovation. The revue theaters, all concentrated within great cities such as Berlin, were owned and run almost exclusively by Chabad Lubavitchers. Shows consisted of little more than excuses for sexual titillation involving the display of the female form in lascivious dances that were to degenerate later into striptease and scenes of public masturbation. “In these revues,” Wiehe notes indignantly, “the uninhibited sex drive surrendered itself to disgusting orgies. All life was reduced to a common denominator of lust and its satisfaction. Chastity and self-discipline were mocked as old-fashioned prejudices.”

The Chabad Lubavitcher Jews had managed, in the space of a mere fourteen years, to bring about a major “transvaluation of values” [4] in Weimar Germany. The vices of the past were now its virtues. The only vice that remained was chastity.

A glance at the revue titles is again sufficient: “Zieh dich aus” (Get Undressed); “Tausend nackte Frauen” (One Thousand Naked Women); “Die Sünden der Welt” (The Sins of the World); “Häuser der Liebe” (The Houses of Love); “Streng Verboten!” (Strictly Forbidden!); “Sündig und Süss” (Sweet and Sinful). [5]

Finally, there was the rich field of sexology: a new science consisting largely of dubious “case histories” purporting to reveal the depraved sexual habits of various anonymous patients. In order to give an air of academic respectability and erudition to these masturbatory fantasies—thrilling adventure stories involving necrophilia, bestiality and handkerchief fetishism—the more exciting details were often given in vulgar Latin “in order to exclude the lay reader.” [6] However, it was not long before the Latin was diligently translated into the vernacular for the benefit of the unlatined lay reader, thus defeating the purpose of the prim “schoolmaster’s Latin”.

Wiehe reels off a long list of Jewish sexologists who he claims were in the forefront of writing such salacious treatises that were no more than pornography masquerading as science. Drs Magnus Hirschfeld [7] and Ivan Bloch [8] were the star writers in this field, their books still read avidly today by a gullible public hungry for details of the bizarre, the kinky and the perverse. Drs Ludwig Lewy-Lenz, Leo Schidrowitz, Franz Rabinowitsch, Georg Cohen, and Albert Eulenburg are some of the names Wiehe mentions.

Here are some of their depressing titles: “Sittengeschichte des Lasters” (The History of Perversions); “Sittengeschichte des Schamlosigkeit” (The History of Shamelessness); “Bilderlexikon der Erotic” (Picture Lexicon of Eroticism); “Sittengischichte des Geheime und Verbotene” (The History of the Secret and the Forbidden). And here are some of the titles published by Dr Magnus Hirschfeld’s Institute of Sexual Science in Berlin [9]: Aphrodisiacs, Prostitution, Sexual Catastrophes, Sexual Pathology, The Perverted. Wiehe describes all these books as “the filthy publications of these pseudo-scientists”, all of them written by Chabad Lubavitcher authors and published by Chabad Lubavitcher publishers. He continues in the same acerbic vein:

These books were allegedly supposed to be scientific treatises, their ostensible purpose being to “educate” the broad masses about the dangers of sexual excesses. Under the guise of science, however, they speculated in the lust and lower instincts of their audience. Criminals, prostitutes and homosexuals took center stage in their repertoire. One looks in vain for any known non-Jewish “sexual scientist”! [10]

Wiehe points out that masturbation, hitherto a hole-in-corner vice, began to be shamelessly promoted for the first time in Weimar Germany by Chabad Lubavitcher -run organizations. He mentions Dr Max Hodan, Chabad Lubavitcher medical officer for Berlin, and ticks him off for circulating a booklet recommending regular masturbation for the working classes. http://abundanthope.net/pages/Political_Information_43/THE-SEXUAL-DECADENCE-OF-WEIMAR-GERMANY-by-Lasha-Darkmoon.shtml

Yes, yes, sorry, in my frenzy I forgot to cite, thanks for the correction.