Relevance: Exposes one of the earliest known uses of "Pizza" and "Pasta" in the context that was later exposed in Pizzagate, and because of this, provides a reference point for ritual abuse material. I originally wrote this post via steemit, but I understand that we are no longer able to link posts here so I hope this version is in compliance with the current rules.

Due to the Voat character limit on posts, I'll place the first half of this post in the comment section, because it was the latter half of the the article which dealt with Pizzagate directly. However, the full article can be read in one piece here.

Giger And Pizzagate

One of Giger's films, the "Necronomicon Documentary," includes snippets of the pizza and pasta imagery central to Pizzagate.

At 8:33 minutes into the film, we are presented with one of Giger's paintings of rotting or diseased, but still-living infants, before the scene diverts directly to an image of extremely sloppy pizza being cut in a tray and messily served on plates. The depiction of pizza, and later pasta, in Giger's film may seem innocuous enough, but I found the placement of infants just prior to the inclusion of the pizza clip indicative that Giger intentionally included pizza and pasta as references to child exploitation.

The video is linked here. The pizzagate-relevant passages in the film begin at approximately 8:20 minutes and 22 minutes, but there is additionally interesting material throughout. For example, the hand signal in the opening frames, which were filmed long before youtube existed, much less youtube-popular theories regarding celebrities and this same triangular hand symbol. Likewise, the pizzagate-relevant food items were included in this video decades prior to the pizzagate scandal* and for that reason are totally independent corroboration for the meaning of these items.

Images from these relevant aspects of his film are pictured below:

First we see the camera linger on multiple shots of Giger's paintings of the faces of infants.

Again

Then the image of the infant's faces dissolves into a closeup of bubbling pizza at 8:49 minutes. The implication here, given the use of "pizza" in terms of child exploitation, and especially in the Pizzagate scandal, is clear.

Finally, seconds later, we watch the pizza as it is cut and served, in my opinion connoting cannibalism and not simply sexual abuse or pornography (or of course, in the minds of skeptics, this is nothing more than a dinner party in the midst of a surrealist film combined with pasta later on. The Swiss artist just loves Italian food like the Podestas...):

Speaking of pasta: at approximately 22 minutes into the film we are subjected to the display of a man apparently experiencing difficulty unzipping his pants.

At the precise moment the plants unzip, we are then shown phallic imagery - focusing in on snakes - from a number of Giger's paintings.

If the phallic imagery weren't clear enough, one of Giger's works clearly informs us of the meaning of this zipper-moment in the documentary. The title of the work is Passage Temple, and it was discussed in the previously linked analysis of Giger by Rob Ager.

Immediately after the phallic imagery of snakes, the documentary cuts to pasta being messily served onto a plate.

Given the symbology surrounding these two clips, it appears to this author that the film's suggested meaning for Pizza was most likely the cannibalism of infants rather than simply pornography (as the Pizza is shown being cut and served), while the Pasta clip was a far more distinctly sexual reference.

Again: In the entire film, the only food items we are shown are pasta and pizza. One needs little reminder or their use by the Podestas or by James Alefantis on his Instagram page, as seen here.

Later in the film, we again witness one of Giger's paintings of diseased infants, where it is displayed in the home of a nuclear family with toddlers running around, as their parents happily recount how "horrified" their visitors are at the sight of the piece. According to the English translation, the mother says:

"We bought this piece because it fascinated us... this picture expresses everything for me, which a woman can feel for a child: birth, contraception, overpopulation, infection, and plague."

Giger's clear use of ritual abuse iconography in addition to his inclusion of pizzagate-related food items decades prior to the Pizzagate scandal makes him an important figure for further study, and additional points made in the original steemit post version of this article will follow in the comment section.