This might seem like it's kind of off-topic for a sub dedicated to studying elite pedophilia networks, but perhaps David McGowan can convince you otherwise.

We all know that intelligence types covet control over information that the public gets. The CIA's Operation Mockingbird, to co-opt journalists, and to embed their own people in news organizations is just one example.

https://www.globalresearch.ca/the-cia-and-the-media-50-facts-the-world-needs-to-know/5471956

and it's not just American media. The same thing happens in Germany, for example:

https://www.zerohedge.com/news/2016-03-28/top-german-journalist-admits-mainstream-media-completely-fake-we-all-lie-cia

https://www.rt.com/op-ed/331318-german-media-merkel-control/

But what if the Deep State also wanted to influence pop culture, the music and entertainment that sets the mood for a generation?

It makes sense that they would. It's well-known, for example, that when American movie producers want to make a movie involving the CIA or any military service, if they want any cooperation they will have to meet with the agency's media interface personnel and may have significant storyline editing of their scripts.

https://gizmodo.com/the-cia-has-to-approve-every-script-for-spy-drama-the-a-1677157500

https://www.theguardian.com/film/2008/nov/14/thriller-ridley-scott

One thing many people aren't aware of is that certain families become generationally involved in intelligence and the military, and particularly, many become involved in black ops, false flag operations, and abusive programs like MK-Ultra.

Many of these families also participate in ritual abuse, incest and pedophilia.

As an aside, it should be noted that many Illuminati families involve themselves in military and intelligence. (Yes, Illuminati exist, and, no, they're not like they're portrayed in media and entertainment.) Researchers might find this account enlightening:

http://educate-yourself.org/mc/mcsvaliinterviewpt1.shtml

Here's a relevant quote from Part 3 of the series: "The Illuminati believe that to control the media is to control the public. This is one of their stated agendas. Remember, finances, media, law, government and education are the areas they targeted as being the best to dominate society.

How do they do this? They don't go to a film producer and say, "Oh, by the way, we're Illuminati members and we want you to make a movie that promotes our agenda". (Remember, they aren't stupid, either). Instead, they will form a small investment corporation that funds movies with ideas that they like. They quietly hire actors and producers and directors and scripts, but they never mention their affiliation publicly or why they are doing this."

So, it makes sense that there could be an attempt made to influence the direction of the pop music industry.

Now go to Los Angeles, where Lookout Mountain Air Force Station, also known as the 1352d Motion Picture Squadron, was located atop the hill that overlooks Laurel Canyon, a small neighborhood that climbs up either side of its namesake canyon.

Few knew about the station until years after it was shut down. Classified film footage was processed and edited there, along with routine productions such as training films. The CIA used the facility too, I haven't been able to find out whether other intelligence agencies worked there, but it would probably be a good guess to propose that the DIA and the NRO did work there. And, in true spook fashion, it had underground facilities and tunnels.

Now, most people are aware today that the Gulf of Tonkin incident was a fabricated event that never really happened. The Deep State staged it in order to provoke Congress into the Vietnam War. George Morrison was the officer who commanded the Gulf of Tonkin expedition.

Now suppose that the son of George Morrison was a guy named Jim Morrison, and he moved to live in Laurel Canyon below the Lookout Mountain Air Force Station, where he became the lead singer of The Doors.

That's right. The lead singer of The Doors was the son of a naval officer who was in charge of a deep state false flag operation.

Or suppose that the son of a chemical warfare specialist who grew up at the Edgewood Arsenal (famous for its research on chemical weapons, and infamous for it's location of abusive MK-Ultra experimentation by the CIA) was a guy named Frank Zappa, who would move to Laurel Canyon, and go on to found a several bands and become a major record producer.

Or suppose the son of a career marine captain, who attended the US Naval Academy at Annapolis, who's brother was a marine, who's mother worked on secret government projects and who's sister worked for the Pentagon, was a guy named John Phillips, who moved to Laurel Canyon and would become famous as the songwriter for The Mamas and the Papas, and infamous for committing incest with his daughter, Mackenzie Phillips.

And that's just the beginning. Dave McGowan makes an excellent case that many young generation Deep State offspring suddenly moved to Laurel Canyon, were provided with instruments and financing, and were quickly given recording contracts that usually took bands years to achieve. And that this was no accident.

http://centerforaninformedamerica.com/inside-the-lc-the-strange-but-mostly-true-story-of-laurel-canyon-and-the-birth-of-the-hippie-generation-part-i/

He also contends that the messaging that came out of the Laurel Canyon music community was no accident. And as you expect with these generational families, pedophilia played a role. Here's an example he gives in part 3 about Frank Zappa:

'as Barry Miles noted in his Zappa biography, Frank’s daughter Moon “recalls men with straggling beards, body odour and bad posture who crouched naked near her playthings …” Also, the “Zappa children watched porn with their parents and were encouraged in their own sexuality as soon as they reached puberty. When they became teenagers, Gail insisted they shower with their overnight guests in order to conserve water.” '

This is a huge, 12-part series, with masses of references, in David McGowan's usual fashion, and it gives one an interesting insight inside the workings of a generational operation, and insight into where some of today's pop culture came from.

It also gives insight into just how deep the tentacles of the Deep State reach into our society.