PART 18 >
Signs of Abduction
A recent survey conducted by the Roper Organization asked American subjects certain questions designed to reveal abductees.
Their results showed that, back in 1998, 1 of every 50 subjects had experienced an alien abduction.
Typically, abductions are on-going and often begin in childhood (see above).
According to researchers, who have worked with over 400 abduction cases, the abduction phenomena includes some of the following details:
The Greys, can alter individuals perceptions of their surroundings.
They can create a kind of "virtual reality" in individual's minds and can appear under any number of guises and shapes.
Perhaps the mental "scanning" is used to select imagery to calm the victims, and substitute memories of the abduction.
They can be present with individuals in an invisible state, and can make themselves only partially visible by this same ability.
Abductees receive marks on their bodies.
Scoops of flesh are mysteriously missing, and straight-line scars sometimes appear on victims' bodies.
Other marks include single punctures, multiple punctures, large bruises, three-and four fingered claw marks, and trangles of every possible sort.
Female abductees often suffer serious gynecological problems after their alien encounters, and sometimes these problems lead to cysts, tumors, cancer of the breast and uterus, and to hysterectomies.
Abductees report being scoffed at, jeered at, and threatened by their alien captors.
Painful genital and anal probes are performed - even on young children - and unknown fluids are injected into some abductees.
Abductees report being taken to underground facilities where they see grotesque hybrid creatures, nurseries of hybrid humanoid fetuses, and vats of colored liquid filled with parts of bodies.
Other abductees report seeing other humans in these facilities being drained of blood, mutilated, flayed, dismembered, and stacked like cords of wood.
Some abductees have been threatened that they, too, will end up in this condition if they don't co-operate with their alien captors.
Aliens have forced their human abductees to have sexual intercourse with aliens, and even with other abductees while groups of aliens observe these performances.
In some encounters, the aliens have sometimes disguised themselves in order to gain the cooperation of the abductee, appearing in such forms as Jesus, Blessed Mary, the Pope, certain celebrities, and even the dead spouses of the abductees.
The Grey's ability to scan minds allows them to assess individual's vulnerabilities and customize the abduction experience.
Aliens often make predictions of an imminent period of global chaos and destruction.
They say that a certain number of humans will be "rescued" from the planet in order to continue the species, either on another planet or back on earth after the destruction is over.
Many alien prophesies to contactees of the 50's and even today have failed to come true or appear to be outright lies.
Many contactees and abductees today are again delivering warnings of coming earth changes and disasters along with promises of help from aliens.
They feel "choosen" to deliver these messages to mankind.
Again the Grey's know their vulnerable egos can compel their cooperation.
The prophesies often create false hope and dependancy on their abductors, whom they know little about.
"I've come away from this experience convinced of one thing: if there aren't demons out there, there might as well be, because these guys are indistinguishable from demons. Indistinguishable. To see them, to look into their eyes, is to be less - forever..."
Strieber - 1993
Harvesting Souls?
It has been suggested that the Greys are a race of biologic robots, created long ago by some superior civilization that they outlived.
Although they are self-aware, Greys are like the Tin Man in the WiZard of Oz - only instead of a 'heart', Greys need our 'souls'.
As part of this theory, the abduction phenomenon is described in terms of a "Harvest" where potential human candidates are examined and nurtured for that moment when they will have their spirit essence transferred to a waiting Grey.
This theory has some interesting support from social scientists who open our eyes to cultural trends that can only be described as pure "evil."
The widespread introduction of materialism, free pornography and secularism seem to have no other reward but to destroy personal integrity and morality.
Poverty also enslaves the population and destroys the family structure.
All these trends diminish our spiritual strength, making souls vulnerable and ripe for the 'harvest'.
And all these cultural shifts could well be the fruit of abductions, and implanted ideologies.
END
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Secret Space Tech, Aliens [FALLEN ANGELS], Nazi Occultism: > Where all your Trillions have disappeared to... > 'o-o' <
This is what they have been hiding from Humanity for many years Anons > THIS is where all the lost money has been going > Secret Space Tech and A Breakaway Civilisation > 'o-o' <
Fell sick yet? >
START
PART 1 >
RAUMFLUG AND THE OCCULT REICH
Dr. Hermann Oberth, who pioneered rocket design for the German Reich during World War II and later advanced rocket technology for the American manned space launches, cryptically stated,
“We cannot take the credit for our record advancement in certain scientific fields alone; we have been helped.”
When asked by whom, he replied:
“The people of other worlds.”
By Peter Crawford 2017
While the Third Reich made sure to eradicate the bewildering maze of occult orders, esoteric societies and Volkische movements the minute it came into power, it strangely left that other field with its many connections to the occult underground, that of science fiction, largely untouched.
Thus, when the might of the German war machine unleashed its Blitzkrieg (lightening war) on an ill prepared Europe - its new strategic formula and technological terror tactics were reminiscent of that early sub-genre in science fiction entitled the 'Future War Tale'.
While the sirens of the Stuka dive bombers, howling like the legendary Walkuren, transformed whole cities into hellish cauldrons of the alchemical Prima Materia, other minds in Germany kept on dreaming of soaring space ships and the conquest of space.
The history of early German space flight and rocket development is complex and riddled with unexpected esoteric influences.
Then there is the strong yearning to return to a mythical fatherland, that between the two world wars not always translated itself in earthly geographical coordinates.
One fitting example of this is found in a German film that was thought lost forever.
Only recently a copy of this film, entitled 'Wunder Der Schöpfung' (The Miracle Of Creation), has been found.
'Wunder Der Schöpfung' - 1927
'Wunder Der Schöpfung' was to be, in the words of one critic, UFA's greatest achievment.
UFA put itself more and more in the mind-frame necessary for its most ambitious project yet: Fritz Lang's 'Metropolis', that was relased in 1927, two years after 'Wunder Der Schöpfung'.
Contrary to 'Metropolis' that obtained only a lukewarm reception, 'Wunder Der Schöpfung' was a tremendous hit.
It still is a remarkable film with for that time highly ingenious and elaborate special effects.
In the context of Germany's Kulturfilm phenomenon, 'Wunder der Schöpfung' was among the greatest achievements of the 1920s.
The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum.
The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before 'Metropolis'.
Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences.
Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes.
No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features.
There is also a general feeling amongst connoisseurs that certain scenes might have served as a template for Stanley Kubrick's 2001.
In the film a German scientific team travels through the universe in a spacecraft that serves as the symbol of progress and an age of new technologies, explaining all that is to be seen. 'Wunder Der Schöpfung' was not meant as lighthearted science fiction
Instead, the film that was meant as an educational device begun in 1923.
'Jetzt gehort und Deutschland, morgen das ganse Sonnensystem' (Now Germany belongs to us, tomorrow the whole solar system), as thetrilogy coyly states, is the apt slogan.
One could, perhaps, remark that, since Germany had lost most of its colonies, space formed the final formidable frontier.
One author who envisioned the path to solar conquest in the dream-tanks of the Third Reich was Walter Heichen (1876 - 1970).
His 'Jenseits der Stratosphäre. Erlebnisse zwischen Mond und Erde. Eine Erzählung für die Jugend' (On the Other Side of the Stratosphere. Experiences between the Moon and the Earth. A Story for the Youths) was published in 1931 and was reprinted in 1939 as 'Luftschiff im Weltenraum' (Airship in Space).
Heichen, who lived in Berlin, already had published propaganda lecture to kindle pattriotic interest during the outbreak of the First World War.
During the Third Reich his pattriotism adhered to the National Socialist cause.
In Heichen's book, the protagonists travel to the planet of Sigma, where they encounter highly developed humanoids.
Heichen died in Berlin in 1970.
In 1925, a chronically ill and impoverished engineer in Vienna devoted himself entirely to space travel.
'Das Problem der Befahrung des Weltraums -
der Raketen-motor' Herman Potočnik (1892 - 1929), published in 1928 his only book, 'Das Problem der Befahrung des Weltraums - der Raketen-motor' (The Problem of Space Travel, the Rocket Motor) was published.
The Verein für Raumschiffahrt also published a magazine titled 'Die Rakete' (The Rocket), from 1927 till 1929, Gernsback, born in 1884 as Gernsbacher, at ten years of age was an insatiable reader.
At that time he found a translation of Percival Lowell's 'Mars as the Abode of Life'.
He devoured the book and went into a delirious phase that lasted two days, during which he rambled almost non-stop about the Martians and their technology, a theme to which he would return in later years.
This experience would prove a pivotal point in the life of young Gernsbacher.
PART 2 >