That's typical how you use video and group of people that's easy to ridicule to deny the sovereignty of free men. I bet it takes two hands to hide that beak of yours, doesn't it?

"The use of the highway for the purpose of travel and transportation is not a mere privilege, but a common fundamental right of which the public and individuals cannot rightfully be deprived." Chicago Motor Coach v. Chicago, 169 NE 221.

"The right of the citizen to travel upon the public highways and to transport his property thereon, either by carriage or by automobile, is not a mere privilege which a city may prohibit or permit at will, but a common law right which he has under the right to life, liberty, and the pursuit of happiness." Thompson v. Smith, 154 SE 579.

"The right to travel is a part of the liberty of which the citizen cannot be deprived without due process of law under the Fifth Amendment." Kent v. Dulles, 357 US 116, 125.

"The right to travel is a well-established common right that does not owe its existence to the federal government. It is recognized by the courts as a natural right." Schactman v. Dulles 96 App DC 287, 225 F2d 938, at 941.

In Hertado v. California, 110 US 516, the U.S Supreme Court states very plainly:

"The state cannot diminish rights of the people."

Bennett v. Boggs, 1 Baldw 60,

"Statutes that violate the plain and obvious principles of common right and common reason are null and void."

"The assertion of federal rights, when plainly and reasonably made, is not to be defeated under the name of local practice." Davis v. Wechsler, 263 US 22, at 24

"Where rights secured by the Constitution are involved, there can be no rule making or legislation which would abrogate them." Miranda v. Arizona, 384 US 436, 491.

"The claim and exercise of a constitutional right cannot be converted into a crime." Miller v. US, 230 F 486, at 489.

There can be no sanction or penalty imposed upon one because of this exercise of constitutional rights." Sherer v. Cullen, 481 F 946

Think 4th and 5th dimensional travel, across the universe, transcending all time and space. Onre cannot tap these realms without the use of the "Higher Mind". You exist fractally in higher realms, and the dwell in those regions of the universe you must first train your mind. This is why Q keeps saying "Expand you thinking". What do you think he means?

He means literally to start looking at every detail of life in a different way, in EVERY way, so as to learn about the secrets the universe has to offer. Look into numbers and words, and this leads inevitably to higher "Apperception of The Conceptual" > a higher sense of KNOWING things, with being told anything. It's is a key that turns a lock to a very big door attached to all the knowledge in the Universe. (((They))) know this and have secreted this knowledge of Mankind, in order to enrich themsleves. They have a breakaway civilisation both inside the Earth and in the Solar and Beyond (Mars, Titan, The Moon etc). Some of the planets cannot be inhabited but in these higher realms, where one is a light being. Here is a start for your learning journey. Read all the posts, comments and attached links, as they all tell a story:-

https://voat.co/v/QRV/3420188

P.s - I'm not saying the Moon landings weren't done with a craft. They were, but unlikely with the primitive technology they showed us they had in the 60s. It's all fake. It's to distract us from the REAL SSP. Peace Fren.

NMBRFG

D5

WWG1WGA!

1. Maybe a handful more if you wanted to assign people with some of the varieties of intersex their own genders. So lets say 3?

2 + unfortunate mutation.

When did I claim to be Jose?

I wouldn't live in america if you fucking paid me

It's known as the QAnon (Dorian) Information Disclosure Project AKA The Great Awakening. Expand your thinking as Q tells us.

What does Dorian mean?

Dorian = QAnon = 61

HURRICANE DORIAN = 610

61 is 19 mirrored.

Go and check out the book: A Portrait of Dorian Grey, by Oscar Wilde. This showed up in my research.

Then go and analyze the Gematria results of "Oscar Wilde" the Author, to gain some insight, into The Storm, Dorian (Hurricane), Dorian Gray (Grey Storm), and QAnon (The Great Awakening), and you will start to understand what QAnon is really all about. It's much bigger than catching bad guys and saving kids. It's about what has become of humanity, a parable of what we have become is Dorian Gray. It's about us waking up literally: -

https://www.britannica.com/topic/The-Picture-of-Dorian-Gray-novel-by-Wilde

The Picture of Dorian Gray, moral fantasy novel by Irish writer Oscar Wilde, published in an early form in Lippincott’s Monthly Magazine in 1890. The novel, the only one written by Wilde, had six additional chapters when it was released as a book in 1891. The work, an archetypal tale of a young man who purchases eternal youth at the expense of his soul, was a romantic exposition of Wilde’s own Aestheticism.

Oscar Wilde, 1882.

Courtesy of the William Andrews Memorial Library of the University of California, Los Angeles

Summary

The story begins in the art studio of Basil Hallward, who is discussing a current painting with his witty and amoral friend Lord Henry Wotton. Henry thinks that the painting, a portrait of an extraordinarily beautiful young man, should be displayed, but Basil disagrees, fearing that his obsession with the portrait’s subject, Dorian Gray, can be seen in the work. Dorian then arrives, and he is fascinated as Henry explains his belief that one should live life to the fullest by indulging one’s impulses. Henry also points out that beauty and youth are fleeting, and Dorian declares that he would give his soul if the portrait were to grow old and wrinkled while he remained young and handsome. Basil gives the painting to Dorian.

Henry decides to take on the project of molding Dorian’s personality. A few weeks later, Dorian tells Henry that he has fallen in love with an actress, Sibyl Vane, because of her great beauty and acting talent. Henry and Basil go with him to a dingy theatre to see Sibyl, but her performance is terrible. Sibyl explains to Dorian that now that she knows what real love is, she can no longer pretend to be in love on stage. Dorian is repulsed and wants nothing further to do with her. When he returns home, he sees a cruel expression on the face of his portrait, and he decides to seek Sibyl’s forgiveness. Henry arrives the next day, however, with news that Sibyl committed suicide the previous night, and he convinces Dorian that there is no reason for him to feel badly about it.

Dorian has the portrait removed to his attic. Henry sends Dorian a book that he finds poisonous and fascinating (critics have suggested that it might be Against the Grain by Joris-Karl Huysmans). Under the book’s influence, Dorian spends the next 18 years in the pursuit of capricious and sybaritic excess, and he becomes increasingly drawn to evil. He frequently visits the portrait, noting the signs of aging and of corruption that appear, though he himself remains unblemished.

One evening he runs into Basil, who tells him that there are rumours that he has destroyed the lives and reputations of many people. Dorian, however, refuses to accept blame. Basil declares that he clearly does not know Dorian, who responds by taking him to the attic to see the portrait. The painting has become horrifying. Basil tells Dorian that if this is a reflection of his soul, he must repent and pray for forgiveness, and a suddenly enraged Dorian murders Basil. He blackmails another former friend into disposing of the body.

Dorian goes to an opium den, where Sibyl’s vengeful brother, James, finds him, but the fact that Dorian still appears quite young dissuades him from acting. However, another patron of the den later divulges Dorian’s age. At a subsequent hunting party at Dorian’s country estate, one of the hunters accidentally shoots and kills James, who was hiding in a thicket.

Some weeks later Dorian tells Henry that he has decided to become virtuous and recently decided against taking advantage of a young girl who was smitten with him. Dorian goes to see if the portrait has improved because of his honourable act, but he sees rather that it has acquired a look of cunning. He decides to destroy the portrait and stabs it with a knife. His servants hear a scream, and, when they arrive, they see a loathsome old man dead on the floor with a knife in his chest and a portrait of the beautiful young man he once was.

Legacy

“There is no such thing as a moral or an immoral book,” wrote Wilde. “Book are well written, or badly written. That is all.” The aphorisms that make up the “Preface” of Wilde’s novel were his response to those critics who had denounced the immorality and unhealthiness of this story after its scandalous first appearance in Lippincott’s Monthly Magazine. However, for all its transgressive delights, The Picture of Dorian Gray could easily be read as a profoundly moral book, even a cautionary tale against the dangers of vice. Dorian’s descent into moral squalor is neither admirable nor enviable. Indeed, the beautiful boy is the least interesting character in the book that bears his name. To be sure, it is the epigrammatic wit of Lord Henry Wotton that encourages Dorian on his quest for sensuality and sensation, but Dorian’s values pervert the deeply serious Wildean ethic that they superficially resemble. Whereas Wilde’s essays advocated individualism and self-realization as a route to a richer life and a more just society, Dorian follows a path of hedonism, self-indulgence, and the objectification of others. It is nonetheless a story that poignantly reflects Wilde’s own double life and anticipates his own fall. Dorian’s negation, “Ugliness was the one reality,” neatly summarizes Wilde’s Aestheticism, both his love of the beautiful and his fascination with the profane.

Publication of the novel scandalized Victorian England, and The Picture of Dorian Gray was used as evidence against Wilde when he was tried and convicted in 1895 on charges related to homosexuality. The novel became a classic of English literature and was adapted into a number of films, most notably a 1945 version that was directed by Albert Lewin.

Ronan McDonald

The Editors of Encyclopaedia Britannica