When I see an artist doing pics like this, I always ask myself: Did they experience child abuse as a kid, and/or did they witness extreme forms of violence? Is this a way of coming to grips with what happened to them, or/and might this be a glorification of violence? Or, as we surmised, was the artist in question commissioned to do the work by perps, doing paintings based on photographs depicting rape and child abuse?
Djurdjevic grew up in the former state of Yugoslavia, where a terrible war raged in the 1990s; countless women and girls where put in concentration camps, and raped, and often killed.
She grew up there. She might have witnessed some of the atrocities. And artists are often not able to influence to whom their artwork is sold by the galleries who represent them.
Therefore this is a very important find, since it links Djurdjevic to James Alefantis.
There were speculations whether the tapestry in one of the Vanderbilt's estates, and the pool there, are identical with tapestry and a pool shown in Djurdjevic paintings, but people might have argued that she wasn't able to influence the sale of her paintings to Tony Podesta.
But since they are FB friends, and she also liked JA on FB, you can be sure there is some deeper connection there.
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When I see an artist doing pics like this, I always ask myself: Did they experience child abuse as a kid, and/or did they witness extreme forms of violence? Is this a way of coming to grips with what happened to them, or/and might this be a glorification of violence? Or, as we surmised, was the artist in question commissioned to do the work by perps, doing paintings based on photographs depicting rape and child abuse?
Djurdjevic grew up in the former state of Yugoslavia, where a terrible war raged in the 1990s; countless women and girls where put in concentration camps, and raped, and often killed.
She grew up there. She might have witnessed some of the atrocities. And artists are often not able to influence to whom their artwork is sold by the galleries who represent them.
Therefore this is a very important find, since it links Djurdjevic to James Alefantis.
There were speculations whether the tapestry in one of the Vanderbilt's estates, and the pool there, are identical with tapestry and a pool shown in Djurdjevic paintings, but people might have argued that she wasn't able to influence the sale of her paintings to Tony Podesta.
But since they are FB friends, and she also liked JA on FB, you can be sure there is some deeper connection there.
@rooting4redpillers @letsdothis3 @swordfish69